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Hualin International Journal of Buddhist Studies 1.2 (2018): 111–130
(This article belongs to the Special Issue Buddhist Arts)
The Transmission of Ornaments in Buddhist Art: On the Meander or Huiwen
Freie Universität Berlin
Keywords: meander ornament, transcultural, Buddhist art, comparative, architecture
Abstract: Beyond iconographic dimensions the ornaments in Buddhist art become apparent through the depicted figures and their fashion, as well as other pictorial, architectural elements including patterns and motifs. Meander ornament as example, it is used as an icon in Buddhist art, however early Buddhist texts and local chronicles provide information on neither its origin nor its meaning; therefore we often have to deal with upper and lower very clichéd connotation. In this paper, the aesthetical and art historical value of the meander ornament, up until the twelfth century CE, based on the selected example, as a phenomenon of cultural transmission and intertwinement is to be discussed with regard to the cultural ‘originality’ and ‘diversity’ among the cultural traditions of the ‘West’ and ‘East’. It reveals the essential process of how ‘foreign’ images were transmitted and reproduced at the ‘local’ (Central and East Asia) religious space, at the same time, how implicated images had functioned as a medium of communication during the transmission.