Thus Have I Heard – Schedule – Glorisun Global Network

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“Thus Have I Heard”:
Patterns and Logics in Buddhist Narrative Literature
“如是我聞”：
佛教敘事範式與邏輯

Host 主辦:

Research Center for Buddhist Texts and Art at Peking University

北京大學佛教典籍與藝術研究中心

Dates: November 25-27, 2022 | 2022年11月25-27日

Vancouver 溫哥華

New York 紐約

London 倫敦

Beijing 北京

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Session 1

Welcome

4:45

5:00

7:45

8:00

12:45

13:00

20:45

21:00

Keynote 1

5:00

5:40

8:00

8:40

13:00

13:40

21:00

21:40

Panel 1

5:40

6:25

8:40

9:25

13:40

14:25

21:40

22:25

Panel 2

6:30

7:30

9:30

10:30

14:30

15:30

22:30

23:30

Session 2

Keynote 2

16:40

17:20

19:40

20:20

0:40

1:20

8:40

9:20

Panel 3

17:20

18:00

20:20

21:00

1:20

2:00

9:20

10:00

Panel 4

18:10

19:10

21:10

22:10

2:10

3:10

10:10

11:10

Panel 5

19:20

20:00

22:20

23:00

3:20

4:00

11:20

12:00

Session 3

Panel 6

5:40

6:40

8:40

9:40

13:40

14:40

21:40

22:40

Session 4

Panel 7

19:00

19:40

22:00

22:40

3:00

3:40

11:00

11:40

Panel 8

19:50

20:50

22:50

23:50

3:50

4:50

11:50

12:50

Panel 9

21:00

21:45

0:00

0:45

5:00

5:45

13:00

13:45

Session 5

Keynote 3

5:00

5:40

8:00

8:40

13:00

13:40

21:00

21:40

Panel 10

5:40

6:40

8:40

9:40

13:40

14:40

21:40

22:40

Panel 11

6:50

7:45

9:50

10:45

14:50

15:45

22:50

23:45

Conclusion

7:45

8:00

10:45

11:00

15:45

16:00

23:45

0:00

Session 1 = November 25
Session 2 = November 25 (North America), November 26 (Europe, Asia)
Session 3 = November 26
Session 4 = November 26 (North America), November 27 (Europe, Asia)
Session 5 = November 27

SESSION 1 部會 1
Welcoming Remarks 迎迓	Zhanru 湛如、 Jinhua CHEN 陳金華

Keynote 1 主題演講 1	Victor MAIR 梅維恆 (UPenn 美國賓夕法尼亞大學): Hybridity in Medieval Buddhist-Chinese Narrative \| 中古時期中土佛教敘事的雜糅性

Panel 1 場次 1	Rehearse the “Heard” 既聞再問 (Chair 主持: SHEN Weirong 沈衛榮; Co-discussants 共同評議人: Naomi APPLETON [1.1-2] & SUN Yinggang 孫英剛 [1.3])
	1. Peter SKILLING (EFEO 法國遠東學院/Chulalongkorn University 泰國朱拉隆功大學): Evaṃ me sutaṃ: Who Heard What? \| 如是我聞：聞者何人？所聞何事
	2. Max DEEG 寧梵夫 (CardiffU 英國卡迪夫大學): “Once upon a Time” – So What? The Importance of Place in Buddhist Narratives \| “一時”——然後呢？地點在佛教敘事中的重要性
	3. Christoph ANDERL 安東平 (GhentU 比利時根特大學): “Have I thus really heard?”: A study of Vernacularized Life Stories of the Buddha Preserved in Dunhuang Manuscripts – With an Emphasis on Non-canonical Elements and Inconsistencies in the Narrative Structure \| “當真我聞如是”?：敦煌文書中方言化的佛傳故事研究——以藏外元素和敘事結構的矛盾處為重點

Panel 2 場次 2	Speaking of the Buddha: Stories and Images 說佛畫佛 (Chair 主持: ZHAO Jinchao 趙晉超; Discussant 評議人: Christoph ANDERL 安東平)
	1. Ulrike ROESLER 鄔瑞可 (UOxford 英國牛津大學): Framing the Path to Awakening: Tibetan Adaptations of the Jātaka Genre \| 匡範覺悟之路：西藏對本生體裁的改動
	2. Stefan BAUMS (LMU Munich 德國慕尼黑大學): Praise as Narrative: Representations of the Buddha in Gāndhārī Stotras and Epithets \| 敘事式讚頌：犍陀羅歌讃和修飾語所展現的佛陀
	3. JIN Son/Ven. Jeongwan sunim (DonggukU 韓國東國大學): The Narrative of a Buddhist Statue from Water \| 一則出水佛像的故事
	4. WU Weilin 吳蔚琳 (Sun Yat-sen U 中山大學): 造像的開眼：以古代南印度和斯里蘭卡佛教和印度教文本為中心 \| The Eye-opening Ritual in Image-making: based on Buddhist and Hindu Narratives in Pre-modern South India and Sri Lanka

SESSION 2 部會 2
Keynote 2 主題演講 2	WANG Bangwei 王邦維 (PekingU 北京大學): 《方廣大莊嚴經》中的《示書品》\| The Chinese Translation of the Lipiśālāsaṃdarśanaparivarta in the Lalitavistara
Panel 3 場次 3	Media, Metaphor and Message 媒介、譬喻、與訊息 (Chair 主持: Wang Junqi 王俊淇; Discussant 評議人: LI Wei 李薇)
	1. LI Wei 李巍 (He’nanU 河南大學): 由虛向實：六朝小說改寫佛教譬喻故事的歷史維度 \| From the Imaginary to the Real: The Historical Aspects of Rewriting Buddhist Avadāna Stories in Six Dynasty
	2. ZHAO You 趙悠 (PekingU 北京大學): 佛典中的機關木人喻 \| The Metaphor of Yantraputraka in Buddhist Literature
	3. KISHINO Ryoji 岸野良治 (Kyoto Pharmaceutical University 京都薬科大學): The Narrative Story about the One Who Became a Poisonous Snake preserved in the Mūlasarvāstivāda-vinaya and the Avadānaśataka \|《根本說一切有部律》和《撰集百緣經》所見人變毒蛇的故事

Panel 4 場次 4	Stories of Theories 道其不可道：佛教敘述對佛教理論的表現 (Chair 主持: WU Weilin 吳蔚琳; Co-discussants 共同評議人: SHI Fazhao 釋法照 [4.1], CHEN Zhiyuan 陳志遠 [4.2, 4.4] & WANG Junqi 王俊淇 [4.3]）
	1. CAI Tiantian 蔡田田 (University of Wisconsin–Madison 美國威斯康辛大學麥迪遜分校): A Survey of the Meaning of Prapañca in the Laṅkāvatāra Sūtra
	2. ZHAO Wen 趙文 (NankaiU 南開): The Buddhist Narrative and the Cult of Prajñāpāramitā in China during the 6th Century \| 常啼菩薩求法敘事與公元6世紀中國的《般若經》信仰
	3. LI Can 李燦 (Beijing Foreign Studies U 北京外國語大學): 術語陳述還是超世間性？——重拾首楞嚴三昧及其敘事的意義 \| Statement or Supermundanity?: Making Sense of Śūraṃgama-samādhi and Its Narratives
	4. MA Xi 馬熙 (NankaiU 南開大學): 肇紀律教：中晚唐佛教碑銘敘事的轉向與律學的興轉 \| Going Forth to Vinaya: The New Turn of Narrative in Chinese Buddhist Epigraphy and the Spread of Monastic Precepts during the Eighth and Ninth Centuries

Panel 5 場次 5	“Thus I have Heard” vs. “Once upon a Future Time” 既聞未聞、融鑄古今：佛教敘述的時空穿越 (Chair 主持: HE Yansheng 何燕生; Co-Discussants 共同評議人: ZHOU Liqun 周利群 [5.1, 5.2) & Ben VAN OVERMEIRE 歐馥般 [5.3])
	1. WANG Lina 王麗娜 (National Library of China 國家圖書館): 漢譯(根本)說一切有部的神異敘事——從未曾有到神通 \| On the “Adbhuta-dharma-paryāya” Literary Form Seen in Sarvāstivādin Texts in Chinese Translation
	2. CHEN Yingjin 陳映錦 (Beijing Language and Culture U 北京語言大學): 佛教創世神話文本的成立——基於敘事語境與線索的考察 \| The Establishment of Buddhist Creation Myth Text: Investigation Based on Narrative Context and Clues
	3. HO Chiew-Hui 何秋輝 (USydney 澳大利亞悉尼大學): Afterlife Abodes in the Lotus Sutra Tradition: Parasutraic Narratives and the Formation of Cultic Repertoire \| 法華經傳統的來世處：副佛經敘事與信仰體系里的要素形成

SESSION 3 部會 3

Panel 6 場次 6	Balls across the Board (and Borders) 含英咀華、和光同塵：佛教敘述的普適性 (Chair 主持: CHEN Ming 陳明; Discussant 評議人: LU Yang 陸揚)
	1. Zhanru 湛如 (PekingU 北京大學): 西明寺文學與藝術傳統 \| The Ximingsi Literary and Artistic Traditions
	2. Nelson LANDRY 藍山 (Oxford): Monastics and the Medieval Chinese Buddhist Mythos: A Study of Narrative Elements in Daoxuan’s Ji Shenzhou Sanbao Gantong Lu (Collected Record of Miracles Relating to the Three Jewels in China) \| 關於僧人與中古中國的佛教敘事：以道宣著《集神州三寶感通錄》的敘事方面為例
	3. RAO Xiao 饒驍 (U. of N. Carolina Greensboro 美國北卡大學格林斯伯勒分校): Jeering at Masters before the Rise of Chan: Jokes about Buddhism in Medieval Chinese Jestbook Qiyan Lu \| 禪宗之前的呵佛罵祖：《啟顏錄》中關於佛教的笑話
	4. Rostislav BEREZKIN 白若思 (FudanU 復旦): Miracle Stories in the Formation of Precious Scrolls Narratives: With an Example of the Subject of the Miaoying Baojuan 妙英寶卷 \| 靈驗故事與寳卷敘事的形成：以《妙英寶卷》的題材爲例
	5. LI Xuan 李瑄 (SichuanU 四川大學): “報慈”書寫與清初遺民僧群體的身份認同 ——佛儒聯合與民間權力訴求

SESSION 4 部會 4
Panel 7 場次 7	Renderings Gendered 女身成佛，頓悟性別？ (Chair 主持: CHEN Yingjin 陳映錦; Discussant 評議人: LI Can 李燦)
	1. ZHONG Haoqin 鍾昊沁 (University of Hong Kong 香港大學): The Vicissitudes of the Story of Therī Paṭācārā: From Early Buddhism to Mahāyāna \| 微妙比丘尼故事的前世今生——從原始佛教到大乘佛教
	2. ZHOU Liqun 周利群 (Beijing Foreign Studies U 北京外國語大學): How One Bhikṣuṇī Met Indian Astrology? ——Buddhist Narrative Paradigm and Logic from the Story of the Mātaṅga Girl \| 比丘尼如何遇上印度天文？——从 “摩登女”故事看佛教敘事範式與邏輯
	3. Megha YADAV (SRM University- Andhra Pradesh 印度安得拉邦SRM大學)： Society, Soteriology and Stories: A Case Study of ‘Sex Transformation’ in Mahāratnakūṭs Sūtras \| 社會，度脫論和故事：《大寶積經》中“性別轉換”的案例研究

Panel 8 場次 8	Logic and Trans-logic: Tension of Words and Silence in Buddhist Narratives 淵默雷聲、心行處滅：佛教敘述中的語默張力 (Chair 主持: PEI Changchun 裴長春; Discussant 評議人: Zhao You 趙悠)
	1. WANG Junqi 王俊淇 (Renmin U of China 中國人民大學): 遮詮與表詮——一對佛教哲學概念的形成 \| On the Formation of Zhequan 遮詮 (Apophatic Discourse) and Biaoquan 表詮 (Apothatic Discourse) into a Pair of Philosophical Concepts in Chinese Buddhism
	2. LI Wei 李薇 (SuzhouU 蘇州大學): 動機・行為・結果——律藏四波羅夷法敘事的判罪邏輯\| The Logic of Conviction in Vinaya Piṭaka of Buddhism Focusing on the Four Parajika
	3. Ben Van Overmeire 歐馥般 (Duke Kunshan University 崑山杜克大學): Understanding Chan Koan as a Literary Genre \| 禪宗公案：一種文學體裁
	4. HE Yansheng 何燕生 (Koriyama Women’s U 郡山女子大學/KyotoU 京都大學): 柳田聖山禪學敘事中的臨濟、良寬和一休 \| Linji 臨濟 (?-867), Ryōkan 良寬 (1758-1831) and Ikkyū 一休 (1394–1481) in the Chan Narratives by Yanagida Seisan

Panel 9 場次 9	Narrative Genres 敘述體裁 (Chair 主持: HO Chiew-Hui 何秋輝 ; Discussant 評議人: ZHAO Wen 趙文)
	1. Michael RADICH 何書群 (UHeidelburg 德國海德堡大學): The Mainstream Rebooted: Mahāyāna Twists on Mainstream Narrative Motifs \| 重啟下的主流：主流敘述題材的大乘式新手法
	2. Eviatar SHULMAN 舒爾曼 (Hebrew U. of Jerusalem 以色列耶路撒冷希伯來大學): Storytelling in the Pāli Nikāyas: The Participle Kho and the Genre of the Sick Monk 巴利文《尼迦耶》中的故事敘述：分詞Kho與病僧文體
	3. XIAO Yue 肖越 (RyūkokuU 龍谷大學): A Comparative Study of the Dharmākara Narrative in the Larger Sukhāvatīvyūha-sūtra \|《無量壽經》諸本中法藏菩薩論的比較研究

SESSION 5 部會 5
Keynote 3 主題演講 3	Monika ZIN (LeipzigU 萊比錫大學): Maitreya, the saviour? \| 彌勒，那位救世者？

Panel 10 場次 10	Poem and Prose for Praising 歌辭交贊 (Chair 主持: Max DEEG 寧梵夫; Discussant 評議人: WANG Lina 王麗娜)
	1. SHI Fazhao 釋法照 (Hangzhou Academy of Buddhism 杭州佛學院教師):《瑜伽師地論．體義伽他》 “流” (Ogha) 偈頌的研究與敘事分析 \| The Studies and Narrative Analysis of “Flood” (Ogha) Verses in the Śarīrārthagāthā of the Yogācārabhūmi
	2. NG Chin-fung 伍展楓 (Goethe University Frankfurt 法蘭克福大學): Chan With This-Worldly Cares: Hu Pu’an 胡樸安 (1878–1947) and His “Matching Hanshan” 和寒山 Poems \| 世道禪心：胡樸安（1878–1947）及其“和寒山詩”
	3. LI Xiaorong 李小榮 (Fujian Normal University 福建師範大學): 陳瓘佛偈創作綜論 \| A Comprehensive Discussion on the Composition of Buddhist Verses by Chen Guan 陳瓘 (1057-1124)
	4. Christopher K. TONG 唐思凱 (UMaryland, Baltimore 馬里蘭大學, 巴爾的摩): Wang Guowei’s Poetics of Self-withdrawal: A Case of Modern Transcultural Buddhism? \| 王國維之 “無我詩學”: 跨文化佛學的現代先例?

Panel 11 場次 11	When the Mobile Meets with the Immobile: Text and Image for Buddhist Narratives 動靜會合、多維激揚：佛教敘述中的文本與圖像 (Chair 主持: Monika ZIN 秦莫逆; Discussant 評議人: LI Ling 李翎)
	1. YAMABE Nobuyoshi 山部能宜 (WasedaU 日本早稻田大學): Pure Land Paintings in Dunhuang: A Reconsideration of the Relationship between Text and Art \| 敦煌的淨土變：文本與藝術之間關係的再思考
	2. ZHAO Jinchao 趙晉超 (NYU-Shanghai 上海紐約大學): Loving-kindness, Filial Piety, and Transcendence Seeking: The Tension between the Textual and Visual traditions of Syama Jātaka in Early Medieval China \| 善行、孝道、與修仙：從睒子本生看魏晉南北朝時期本生文本與圖像傳統之差異
	3. YI Ji-ho 李智浩 (Saxon Academy of Sciences in Leipzig 德國薩克森省科學與人文學院 [萊比錫]): Offering Scent to Call for Help: Sumāgadhā / Sumatī Story Illustrated in Kizil Grottoes and the Local Fragrance Offering \| 克孜爾千佛洞中關於寺院供香的三摩竭繪畫
	4. WANG Fang 王芳 (Saxon Academy of Sciences in Leipzig 德國薩克森省科學與人文學院 [萊比錫]): The Mural Painting of “Siddhārtha descending on the elephant” in Kizil Cave 110 \| 克孜爾110窟佛傳壁畫“乘象入胎”考察

More Discussion 未盡意	Chair 主持: Jinhua CHEN 陳金華

SESSION 1 部會 1
Welcoming Remarks 迎迓	Zhanru 湛如、 Jinhua CHEN 陳金華

Keynote 1 主題演講 1	Victor MAIR 梅維恆 (UPenn 美國賓夕法尼亞大學): Hybridity in Medieval Buddhist-Chinese Narrative \| 中古時期中土佛教敘事的雜糅性

Panel 1 場次 1	Rehearse the “Heard” 既聞再問 (Chair 主持: SHEN Weirong 沈衛榮; Co-discussants 共同評議人: Naomi APPLETON [1.1-2] & SUN Yinggang 孫英剛 [1.3])
	1. Peter SKILLING (EFEO 法國遠東學院/Chulalongkorn University 泰國朱拉隆功大學): Evaṃ me sutaṃ: Who Heard What? \| 如是我聞：聞者何人？所聞何事
	2. Max DEEG 寧梵夫 (CardiffU 英國卡迪夫大學): “Once upon a Time” – So What? The Importance of Place in Buddhist Narratives \| “一時”——然後呢？地點在佛教敘事中的重要性
	3. Christoph ANDERL 安東平 (GhentU 比利時根特大學): “Have I thus really heard?”: A study of Vernacularized Life Stories of the Buddha Preserved in Dunhuang Manuscripts – With an Emphasis on Non-canonical Elements and Inconsistencies in the Narrative Structure \| “當真我聞如是”?：敦煌文書中方言化的佛傳故事研究——以藏外元素和敘事結構的矛盾處為重點

Panel 2 場次 2	Speaking of the Buddha: Stories and Images 說佛畫佛 (Chair 主持: ZHAO Jinchao 趙晉超; Discussant 評議人: Christoph ANDERL 安東平)
	1. Ulrike ROESLER 鄔瑞可 (UOxford 英國牛津大學): Framing the Path to Awakening: Tibetan Adaptations of the Jātaka Genre \| 匡範覺悟之路：西藏對本生體裁的改動
	2. Stefan BAUMS (LMU Munich 德國慕尼黑大學): Praise as Narrative: Representations of the Buddha in Gāndhārī Stotras and Epithets \| 敘事式讚頌：犍陀羅歌讃和修飾語所展現的佛陀
	3. JIN Son/Ven. Jeongwan sunim (DonggukU 韓國東國大學): The Narrative of a Buddhist Statue from Water \| 一則出水佛像的故事
	4. WU Weilin 吳蔚琳 (Sun Yat-sen U 中山大學): 造像的開眼：以古代南印度和斯里蘭卡佛教和印度教文本為中心 \| The Eye-opening Ritual in Image-making: based on Buddhist and Hindu Narratives in Pre-modern South India and Sri Lanka

SESSION 2 部會 2
Keynote 2 主題演講 2	WANG Bangwei 王邦維 (PekingU 北京大學): 《方廣大莊嚴經》中的《示書品》\| The Chinese Translation of the Lipiśālāsaṃdarśanaparivarta in the Lalitavistara
Panel 3 場次 3	Media, Metaphor and Message 媒介、譬喻、與訊息 (Chair 主持: Wang Junqi 王俊淇; Discussant 評議人: LI Wei 李薇)
	1. LI Wei 李巍 (He’nanU 河南大學): 由虛向實：六朝小說改寫佛教譬喻故事的歷史維度 \| From the Imaginary to the Real: The Historical Aspects of Rewriting Buddhist Avadāna Stories in Six Dynasty
	2. ZHAO You 趙悠 (PekingU 北京大學): 佛典中的機關木人喻 \| The Metaphor of Yantraputraka in Buddhist Literature
	3. KISHINO Ryoji 岸野良治 (Kyoto Pharmaceutical University 京都薬科大學): The Narrative Story about the One Who Became a Poisonous Snake preserved in the Mūlasarvāstivāda-vinaya and the Avadānaśataka \|《根本說一切有部律》和《撰集百緣經》所見人變毒蛇的故事

Panel 4 場次 4	Stories of Theories 道其不可道：佛教敘述對佛教理論的表現 (Chair 主持: WU Weilin 吳蔚琳; Co-discussants 共同評議人: SHI Fazhao 釋法照 [4.1], CHEN Zhiyuan 陳志遠 [4.2, 4.4] & WANG Junqi 王俊淇 [4.3]）
	1. CAI Tiantian 蔡田田 (University of Wisconsin–Madison 美國威斯康辛大學麥迪遜分校): A Survey of the Meaning of Prapañca in the Laṅkāvatāra Sūtra
	2. ZHAO Wen 趙文 (NankaiU 南開): The Buddhist Narrative and the Cult of Prajñāpāramitā in China during the 6th Century \| 常啼菩薩求法敘事與公元6世紀中國的《般若經》信仰
	3. LI Can 李燦 (Beijing Foreign Studies U 北京外國語大學): 術語陳述還是超世間性？——重拾首楞嚴三昧及其敘事的意義 \| Statement or Supermundanity?: Making Sense of Śūraṃgama-samādhi and Its Narratives
	4. MA Xi 馬熙 (NankaiU 南開大學): 肇紀律教：中晚唐佛教碑銘敘事的轉向與律學的興轉 \| Going Forth to Vinaya: The New Turn of Narrative in Chinese Buddhist Epigraphy and the Spread of Monastic Precepts during the Eighth and Ninth Centuries

Panel 5 場次 5	“Thus I have Heard” vs. “Once upon a Future Time” 既聞未聞、融鑄古今：佛教敘述的時空穿越 (Chair 主持: HE Yansheng 何燕生; Co-Discussants 共同評議人: ZHOU Liqun 周利群 [5.1, 5.2) & Ben VAN OVERMEIRE 歐馥般 [5.3])
	1. WANG Lina 王麗娜 (National Library of China 國家圖書館): 漢譯(根本)說一切有部的神異敘事——從未曾有到神通 \| On the “Adbhuta-dharma-paryāya” Literary Form Seen in Sarvāstivādin Texts in Chinese Translation
	2. CHEN Yingjin 陳映錦 (Beijing Language and Culture U 北京語言大學): 佛教創世神話文本的成立——基於敘事語境與線索的考察 \| The Establishment of Buddhist Creation Myth Text: Investigation Based on Narrative Context and Clues
	3. HO Chiew-Hui 何秋輝 (USydney 澳大利亞悉尼大學): Afterlife Abodes in the Lotus Sutra Tradition: Parasutraic Narratives and the Formation of Cultic Repertoire \| 法華經傳統的來世處：副佛經敘事與信仰體系里的要素形成

SESSION 3 部會 3

Panel 6 場次 6	Balls across the Board (and Borders) 含英咀華、和光同塵：佛教敘述的普適性 (Chair 主持: CHEN Ming 陳明; Discussant 評議人: LU Yang 陸揚)
	1. Zhanru 湛如 (PekingU 北京大學): 西明寺文學與藝術傳統 \| The Ximingsi Literary and Artistic Traditions
	2. Nelson LANDRY 藍山 (Oxford): Monastics and the Medieval Chinese Buddhist Mythos: A Study of Narrative Elements in Daoxuan’s Ji Shenzhou Sanbao Gantong Lu (Collected Record of Miracles Relating to the Three Jewels in China) \| 關於僧人與中古中國的佛教敘事：以道宣著《集神州三寶感通錄》的敘事方面為例
	3. RAO Xiao 饒驍 (U. of N. Carolina Greensboro 美國北卡大學格林斯伯勒分校): Jeering at Masters before the Rise of Chan: Jokes about Buddhism in Medieval Chinese Jestbook Qiyan Lu \| 禪宗之前的呵佛罵祖：《啟顏錄》中關於佛教的笑話
	4. Rostislav BEREZKIN 白若思 (FudanU 復旦): Miracle Stories in the Formation of Precious Scrolls Narratives: With an Example of the Subject of the Miaoying Baojuan 妙英寶卷 \| 靈驗故事與寳卷敘事的形成：以《妙英寶卷》的題材爲例
	5. LI Xuan 李瑄 (SichuanU 四川大學): “報慈”書寫與清初遺民僧群體的身份認同 ——佛儒聯合與民間權力訴求

SESSION 4 部會 4
Panel 7 場次 7	Renderings Gendered 女身成佛，頓悟性別？ (Chair 主持: CHEN Yingjin 陳映錦; Discussant 評議人: LI Can 李燦)
	1. ZHONG Haoqin 鍾昊沁 (University of Hong Kong 香港大學): The Vicissitudes of the Story of Therī Paṭācārā: From Early Buddhism to Mahāyāna \| 微妙比丘尼故事的前世今生——從原始佛教到大乘佛教
	2. ZHOU Liqun 周利群 (Beijing Foreign Studies U 北京外國語大學): How One Bhikṣuṇī Met Indian Astrology? ——Buddhist Narrative Paradigm and Logic from the Story of the Mātaṅga Girl \| 比丘尼如何遇上印度天文？——从 “摩登女”故事看佛教敘事範式與邏輯
	3. Megha YADAV (SRM University- Andhra Pradesh 印度安得拉邦SRM大學)： Society, Soteriology and Stories: A Case Study of ‘Sex Transformation’ in Mahāratnakūṭs Sūtras \| 社會，度脫論和故事：《大寶積經》中“性別轉換”的案例研究

Panel 8 場次 8	Logic and Trans-logic: Tension of Words and Silence in Buddhist Narratives 淵默雷聲、心行處滅：佛教敘述中的語默張力 (Chair 主持: PEI Changchun 裴長春; Discussant 評議人: Zhao You 趙悠)
	1. WANG Junqi 王俊淇 (Renmin U of China 中國人民大學): 遮詮與表詮——一對佛教哲學概念的形成 \| On the Formation of Zhequan 遮詮 (Apophatic Discourse) and Biaoquan 表詮 (Apothatic Discourse) into a Pair of Philosophical Concepts in Chinese Buddhism
	2. LI Wei 李薇 (SuzhouU 蘇州大學): 動機・行為・結果——律藏四波羅夷法敘事的判罪邏輯\| The Logic of Conviction in Vinaya Piṭaka of Buddhism Focusing on the Four Parajika
	3. Ben Van Overmeire 歐馥般 (Duke Kunshan University 崑山杜克大學): Understanding Chan Koan as a Literary Genre \| 禪宗公案：一種文學體裁
	4. HE Yansheng 何燕生 (Koriyama Women’s U 郡山女子大學/KyotoU 京都大學): 柳田聖山禪學敘事中的臨濟、良寬和一休 \| Linji 臨濟 (?-867), Ryōkan 良寬 (1758-1831) and Ikkyū 一休 (1394–1481) in the Chan Narratives by Yanagida Seisan

Panel 9 場次 9	Narrative Genres 敘述體裁 (Chair 主持: HO Chiew-Hui 何秋輝 ; Discussant 評議人: ZHAO Wen 趙文)
	1. Michael RADICH 何書群 (UHeidelburg 德國海德堡大學): The Mainstream Rebooted: Mahāyāna Twists on Mainstream Narrative Motifs \| 重啟下的主流：主流敘述題材的大乘式新手法
	2. Eviatar SHULMAN 舒爾曼 (Hebrew U. of Jerusalem 以色列耶路撒冷希伯來大學): Storytelling in the Pāli Nikāyas: The Participle Kho and the Genre of the Sick Monk 巴利文《尼迦耶》中的故事敘述：分詞Kho與病僧文體
	3. XIAO Yue 肖越 (RyūkokuU 龍谷大學): A Comparative Study of the Dharmākara Narrative in the Larger Sukhāvatīvyūha-sūtra \|《無量壽經》諸本中法藏菩薩論的比較研究

SESSION 5 部會 5
Keynote 3 主題演講 3	Monika ZIN (LeipzigU 萊比錫大學): Maitreya, the saviour? \| 彌勒，那位救世者？

Panel 10 場次 10	Poem and Prose for Praising 歌辭交贊 (Chair 主持: Max DEEG 寧梵夫; Discussant 評議人: WANG Lina 王麗娜)
	1. SHI Fazhao 釋法照 (Hangzhou Academy of Buddhism 杭州佛學院教師):《瑜伽師地論．體義伽他》 “流” (Ogha) 偈頌的研究與敘事分析 \| The Studies and Narrative Analysis of “Flood” (Ogha) Verses in the Śarīrārthagāthā of the Yogācārabhūmi
	2. NG Chin-fung 伍展楓 (Goethe University Frankfurt 法蘭克福大學): Chan With This-Worldly Cares: Hu Pu’an 胡樸安 (1878–1947) and His “Matching Hanshan” 和寒山 Poems \| 世道禪心：胡樸安（1878–1947）及其“和寒山詩”
	3. LI Xiaorong 李小榮 (Fujian Normal University 福建師範大學): 陳瓘佛偈創作綜論 \| A Comprehensive Discussion on the Composition of Buddhist Verses by Chen Guan 陳瓘 (1057-1124)
	4. Christopher K. TONG 唐思凱 (UMaryland, Baltimore 馬里蘭大學, 巴爾的摩): Wang Guowei’s Poetics of Self-withdrawal: A Case of Modern Transcultural Buddhism? \| 王國維之 “無我詩學”: 跨文化佛學的現代先例?

Panel 11 場次 11	When the Mobile Meets with the Immobile: Text and Image for Buddhist Narratives 動靜會合、多維激揚：佛教敘述中的文本與圖像 (Chair 主持: Monika ZIN 秦莫逆; Discussant 評議人: LI Ling 李翎)
	1. YAMABE Nobuyoshi 山部能宜 (WasedaU 日本早稻田大學): Pure Land Paintings in Dunhuang: A Reconsideration of the Relationship between Text and Art \| 敦煌的淨土變：文本與藝術之間關係的再思考
	2. ZHAO Jinchao 趙晉超 (NYU-Shanghai 上海紐約大學): Loving-kindness, Filial Piety, and Transcendence Seeking: The Tension between the Textual and Visual traditions of Syama Jātaka in Early Medieval China \| 善行、孝道、與修仙：從睒子本生看魏晉南北朝時期本生文本與圖像傳統之差異
	3. YI Ji-ho 李智浩 (Saxon Academy of Sciences in Leipzig 德國薩克森省科學與人文學院 [萊比錫]): Offering Scent to Call for Help: Sumāgadhā / Sumatī Story Illustrated in Kizil Grottoes and the Local Fragrance Offering \| 克孜爾千佛洞中關於寺院供香的三摩竭繪畫
	4. WANG Fang 王芳 (Saxon Academy of Sciences in Leipzig 德國薩克森省科學與人文學院 [萊比錫]): The Mural Painting of “Siddhārtha descending on the elephant” in Kizil Cave 110 \| 克孜爾110窟佛傳壁畫“乘象入胎”考察

More Discussion 未盡意	Chair 主持: Jinhua CHEN 陳金華

Thus Have I Heard – Schedule

“Thus Have I Heard”: Patterns and Logics in Buddhist Narrative Literature “如是我聞”： 佛教敘事範式與邏輯

“Thus Have I Heard”:
Patterns and Logics in Buddhist Narrative Literature
“如是我聞”：
佛教敘事範式與邏輯